Continuing
my exploration of all things strange and wonderful in the natural
world, for quite some time I have been obsessing about Corals and
Fungi. In particular bracket or plate varieties.
Indeed, if we were to remove water from the equation some Coral and
Fungi are at times so alike as to be indistinguishable. Leave
it to Mother Nature to achieve such symmetry. However, the
similarities are not all that surprising given that Fungi were for a
protracted period in their evolution largely water based.
Clearly, the reverse is true today.
Coral and Fungi are not just physically alike. They both have
to contend with many misconceptions. For instance, most coral
seem like exotic aquatic plants. Yet, despite appearances
they are of course animals. In the same way, many would
regard Fungi as a plant. But Fungi is so strange an organism
it merits a kingdom all of its own and is considered neither plant nor
animal, but poses traits of both. Indeed, we would be
forgiven for thinking all Coral are benign and that all Fungi are only
a nuisance - it is not so black and white. The reality is
both organisms are highly aggressive and territorial creatures and are
some of the oldest and largest living things on earth e.g. Coral Reefs
and the Honey fungus. They also so happen to be oddly
beautiful. In addition, over their half a billion year
history, their overall importance to our ecosystem cannot be
underestimated, and without their existence the earth would be a much
less diverse place. For this year’s show in the Botanic
Gardens I have
taken my inspiration from both Coral and Fungi and in so doing created
my own
Fusion
of the two species.
The sculptures were hand-built in a highly-grogged stoneware
clay body and were high-fired in an electric kiln. Each
column
consists of layer upon layer of individually sculpted and
modelled clay brackets; there are
approximately
500 brackets in
total. The island where they were installed was particularly
beautiful and the
pieces co-existed very well with the backdrop of the pond and
the abundant vegetation that was present at that time of
year. My aim was for a very natural, organic form that melts
into the landscape. Hence, there is a fusion of Coral and
Fungi
but also of the sculpture into its
environment.
About
Sculpture in Context:
This year Sculpture in Context celebrates its 25th anniversary at the
National Botanic Gardens with its largest exhibition to-date. Over 120
sculptures by Irelands leading artists will be displayed throughout the
Gardens, ponds, Great Palm House and Curvilinear Range, with the
smaller works exhibited in the gallery above the Visitors Centre.
The
magnificent grounds of the National Botanic Gardens have been home to
this unique exhibition for the past eight years allowing both nature
and art to fuse together to create a memorable visual experience.
Sculpture in Context was established in 1985 by a group of sculptors.
Their aim was to work on behalf of fellow sculptors to
provide
space
for exhibiting work of sculptors in venues outside of their normal
gallery context. It has been successful in that aim over the
years and
has staged highly acclaimed shows each year at venues such as Fernhill
Gardens, the Conrad Hotel, Kilmainham Gaol, the Irish Management
Institute, Dublin Castle, Farmleigh House and The National Botanic
Gardens. Each year a different panel of selectors is invited
to
adjudicate this open submission exhibition, leading to an exciting mix
of mediums and styles.
The
exhibition ran from 2nd
September to 15th October 2010.
Sculpture in
Context
Index 2004-10
About
Nexus
at the
Bluewall Gallery:
Nexus
opens at the Bluewall Gallery on Saturday 30th October and runs until
Wednesday 24th November. I am exhibiting
Fusion
and
Pollen
Hotspot at the show.
NEXUS
"An exhibition of subtle yet
powerful contemporary ceramic works by
artists Frances Lambe, Andrew Livingstone, Michelle Maher, Isobel Egan,
Neil Read and Ross Cochrane.
The works in this show reflect the inner mechanisms of life. They pause
on and bring to attention the intrinsic links, complex equations and
tensions of push and pull that form the constants within this state of
flux. The intimacy of their expression and intricacy of their
production render them almost microscopic in context. Yet their
attention is to the very details of more universal forces at play - the
balance of order and chaos, the weight of history, the fragility of
human nature, the potential instability of systems, the prevailing turn
of the earth, the struggle for survival, infinity. These works
communicate the fine connections that hold us together, the fabric of
existence, so familiar and so fundamental as to be almost invisible."
Bluewall Gallery,Corracanvy,Cavan. Tel: 049-436 1627 & 086-290
2493, email:bluewallgallery@gmail.com.
FUSION:
[Dimensions-
2.06m high x 0.45m diameter, overall 5.55m L x 2.06m H x 1.5m W]
Thanks
so much to everyone who made Fusion
happen. Siobhan, Emily
and Annie - thanks for making the
installation possible, you were a vision in waders! To Paula
Cullen 'the boss' thanks for being there through the highs and lows and
keeping me smiling throughout. Once again thanks to the
Sculpture in Context committee and to our wonderful hosts at The
National Botanic Gardens.